Sunday, 29 June 2008
What Dominic Has Done So Far . . .
Then I began searching through my films at home to familiarise myself with the likes of an auteur. As I begun, I immediately wanted to choose Kevin Smith because of the way he synchronises social settings with comedy and politics within his films such as ‘Dogma’ and ‘Clerks.’ Once again this was tarnished because a pupil had studied him already and I wanted to bring a bit of individuality to the table. After my Kevin Smith dreams were destroyed I realised I wanted to study a director that was very similar to him. The director who I thought was similar to Smith I also thought directed each of these films, known as, ‘Superbad’, ‘Knocked Up’ and ‘The 40 Year Old Virgin.’ Then I found out from my friend Joshua that they are not made by the same directors and even if I wanted to study Gregg Motola who directed ‘Superbad,’ I couldn’t anyway simply because he hasn’t made many films, so I would not of had many materials to look at.
Then it hit me . . .
I realised that I wanted to talk about ‘Pulp Fiction’ in some way, shape, or form and that’s when Samuel L Jackson came to mind. I have seen many of his films which also lead me to choose him. I have always enjoyed watching them and have loved every character that I have seen him play; from the way he projects his voice, to the power of his presence on the set.
From finally finding my auteur, it was time to put my research and own knowledge into action about his characteristics that are echoed in each of his films. So to begin with I researched into ‘Pulp Fiction’ and his character within the narrative. I found this most interesting because I have never looked at ‘Pulp Fiction’ beneath the surface before this project and it made me understand the use of his monologues in all of his films. They generally signify strength, his intelligence, things he may have learnt and emphasis on the narrative as a whole.
This is where I am up to for the time being but I will be moving on to my next film obviously starring Samuel L Jackson, which is called, ‘The Negotiator.’
Thursday, 26 June 2008
The Significance Of Samuel L Jackson's Monologue Within 'Pulp Fiction.'
Samuel L Jackson's use of the monologue is very significant due to the fact it generalises the purpose of his character and his actions within the narrative. The use of his infamous bible passage at the beginning of the film when he kills his target, reiterates the power of his words which is stressed throughout his career and him as a person.
These are the exact words that Samuel quotes down below. . .
Ezekiel 25:17. 'The path of the righteous man is beset on all sides by the inequities of the selfish and the tyrannies of evil men. Blessed is he, who in the name of charity and good will, shepards the weak through the valley of darkness. For he is truly his brothers' keeper and finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know I am the lord when I lay my vengeance upon you.'
The use of his monologue is juxtaposed at the climax of the narrative compared to the introduction as he has power over deviant within society (a robber and his wife). As you can see, when he quotes the bible passage, he uses this to teach a lesson, instead of taking a life which in turn displays his learning process throughout the film. He believes his survival during the assassination was a miracle which is his motive for the bible passage.
Ezekiel 25:17. 'The path of the righteous man is beset on all sides by the inequities of the selfish and the tyrannies of evil men. Blessed is he, who in the name of charity and good will, shepards the weak through the valley of darkness. For he is truly his brothers' keeper and finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know I am the lord when I lay my vengeance upon you.' Now I've been saying that s*** for years, and if you've ever heard it, it meant your ass. I never gave much thought to what it meant, I just thought it was a cold blooded thing to say to a mother f***er before I popped a cap in his ass. But I saw some s*** this morning that made me think twice. Now I'm thinking it could mean you're the evil man, and I'm the righteous man. And Mr. 9mm here is the shepherd, protecting my righteous ass. Or maybe it means that you're the righteous man, and I'm the shepherd, and it's the world that's evil and selfish. Now I'd like that, but you see that s*** ain't the truth. The truth is, YOU'RE the weak, and I'm the tyranny of evil men. But I'm trying, Ringo. I'm trying real hard to be the shepherd.
Sunday, 22 June 2008
Brief Textual Analysis On Samuel L Jackson's Character Within 'Pulp Fiction'
I have begun my research by starting off with Samuel L Jackson’s main characteristics that I feel have been generalised through many of his films. ‘Pulp Fiction’ directed by Quentin Tarantino released on 21 October 1994 in my opinion is the central existence of how great of an actor Samuel is. He stars as a hit man called Jules Winnifield alongside Vincent Vega (John Travolta) and his character goes through different contrasts juxtaposing a realistic portrayal of himself to a hit man.
This is a short look at Samuel’s character within ‘Pulp Fiction’ as I wanted to express my views upon what I notice about him but with further research and knowledge on him as a person and as an actor I can go into further detail. I tried to get the video from Youtube so I can show the contrast but I failed greatly. . . .maybe next time.